{"id":9209,"date":"2012-03-15T08:00:26","date_gmt":"2012-03-15T12:00:26","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=9209"},"modified":"2012-03-15T08:00:26","modified_gmt":"2012-03-15T12:00:26","slug":"discipline-to-shatter-all-accord","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/discipline-to-shatter-all-accord\/","title":{"rendered":"DISCIPLINE: To Shatter all Accord (Rock progressif)"},"content":{"rendered":"

<\/p>\n

\"\"<\/a><\/strong><\/strong><\/p>\n

D\u00e9j\u00e0 14 longues ann\u00e9es sans nouvelles de D<\/strong>i<\/strong>s<\/strong>c<\/strong>i<\/strong>p<\/strong>li<\/strong>n<\/strong>e<\/strong>, ce quatuor de D\u00e9troit compos\u00e9 de M<\/strong>a<\/strong>tth<\/strong>e<\/strong>w Parmenter <\/strong>(voix, claviers) Jo<\/strong>n Preston Bouda <\/strong>(guitares), M<\/strong>a<\/strong>th<\/strong>e<\/strong>w <\/strong>(avec un \u00ab t \u00bb !) K<\/strong>enned<\/strong>y <\/strong>(basse) et P<\/strong>au<\/strong>l Dzendzel <\/strong>(percussions). Les deux autres albums datent en effet des ann\u00e9es 1990 (un<\/em>fold like staircase <\/em>et push and pro\ufb01t<\/em>). Bien que M<\/strong>a<\/strong>tth<\/strong>e<\/strong>w P<\/strong>a<\/strong>r<\/strong>me<\/strong>n<\/strong>t<\/strong>e<\/strong>r<\/strong>, le multi instrumentiste et leader <\/em>charismatique du groupe ait produit deux excellents essais pendant cette p\u00e9riode, Horror express <\/em>(2008) et astray <\/em>(voir le num\u00e9ro de d\u00e9cembre 2004), ces opus, plut\u00f4t introspectifs et tr\u00e8s personnels, n\u2019ont que peu \u00e0 voir avec ceux du groupe D<\/strong>i<\/strong>s<\/strong>c<\/strong>i<\/strong>p<\/strong>li<\/strong>n<\/strong>e<\/strong>, consid\u00e9r\u00e9 comme mort et enterr\u00e9 par plusieurs, jusqu\u2019\u00e0 sa r\u00e9uni\ufb01cation en 2008 dans le cadre du nearfest <\/em>en Pennsylvanie. \u00c0 partir de ce moment, il \u00e9tait permis de r\u00eaver \u00e0 un nouvel album studio et, \u00e0 ce titre, les optimistes ont eu raison ! to shatter all accord <\/em>constituera ce- pendant une surprise car celui-ci est d\u2019une facture passablement diff\u00e9rente de celle des \u0153uvres pr\u00e9c\u00e9dentes qui, pour leur part, a\ufb03chaient un rock progressif sombre et classique. Main- tenant, on explore de nouvelles avenues parsem\u00e9es de passages psych\u00e9d\u00e9liques syncop\u00e9s, de variations rapides et \u00e9clat\u00e9es et de m\u00e9lodies accrocheuses. Ceux qui connaissent bien la<\/p>\n

\u00ab premi\u00e8re cuv\u00e9e \u00bb de D<\/strong>isciplin<\/strong>e <\/strong>\u00e9prouveront peut-\u00eatre un l\u00e9ger malaise au d\u00e9but, particuli\u00e8rement avec la pi\u00e8ce d\u2019introduction (circuity<\/em>), mais qui se transformera en pur plaisir apr\u00e8s quelques \u00e9coutes ! En prime, on a droit \u00e0 une suite de 24 minutes (rogue<\/em>) qui conclut un album riche, \u00e9toff\u00e9 et complexe. Ces quatre bonhommes ont vraiment vieilli en toute beaut\u00e9 !<\/p>\n

ww<\/em>w<\/em>.<\/em>m<\/em>y<\/em>s<\/em>p<\/em>a<\/em>c<\/em>e<\/em>.<\/em>c<\/em>o<\/em>m<\/em>\/discipline<\/em>1<\/em><\/a><\/strong>
\n<\/em>ww<\/em>w<\/em>.st<\/em>r<\/em>u<\/em>n<\/em>g<\/em>o<\/em>u<\/em>t<\/em>r<\/em>e<\/em>c<\/em>o<\/em>r<\/em>d<\/em>s<\/em>.<\/em>c<\/em>o<\/em>m<\/em><\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

D\u00e9j\u00e0 14 longues ann\u00e9es sans nouvelles de Discipline, ce quatuor de D\u00e9troit compos\u00e9 de Matthew Parmenter (voix, claviers) Jon Preston Bouda (guitares), Mathew (avec un \u00ab t \u00bb !) Kennedy (basse) et Paul Dzendzel (percussions). Les deux autres albums datent en effet des ann\u00e9es 1990 (unfold like staircase et push and pro\ufb01t). Bien que Matthew […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,53,59],"tags":[],"class_list":["post-9209","post","type-post","status-publish","format-standard","hentry","category-actualite","category-rythme-et-musique","category-vedette","entry"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/9209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=9209"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/9209\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=9209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=9209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=9209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}