{"id":815,"date":"2009-05-27T19:24:48","date_gmt":"2009-05-27T19:24:48","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=815"},"modified":"2009-05-27T19:24:48","modified_gmt":"2009-05-27T19:24:48","slug":"thorens-announce-new-product-the-td-309","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/thorens-announce-new-product-the-td-309\/","title":{"rendered":"<!--:fr-->Thorens announce new product the TD 309<!--:-->"},"content":{"rendered":"<p><!--:fr--><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3184\" title=\"thorens_05_09_1\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2009\/05\/thorens_05_09_1.jpg\" alt=\"\" width=\"585\" height=\"426\" \/><br \/>\n<code> <\/code><br \/>\n<strong>May 2009. Munich High-End Show<\/strong>.\u00a0 Thorens is  delighted to announce that the results of over 18 months of research and  development have come to fruition in the shape of the new Thorens TD  309 Tri-Balance turntable.\u00a0 The TD 309 will be available from September  2009 in a choice of Black or Red. Estimated retail price Euro 1000 \u2013  1200.<\/p>\n<p><strong>Summary<\/strong><br \/>\n\u2022 New innovative Tri-Balance suspended sub chassis turntable<br \/>\n\u2022 New suspension system to make setting up easy<br \/>\n\u2022 New Team in design and marketing<br \/>\n\u2022 Design brief: Performance, Performance, Ease of setting up, Design etc<br \/>\n\u2022 Low Noise, Low Voltage electronically speed controlled DC Motor for best performance<br \/>\n\u2022 Adjustable belt tension for best performance<br \/>\n\u2022 Aluminium sub platter with single line contact<br \/>\n\u2022 Fused silica platter for consistency and sound quality<br \/>\n\u2022 New low resonance TP92 arm with precision Japanese bearings<br \/>\n\u2022 Arm adjustable for azimuth and overhang.<\/p>\n<p><strong> The Background<\/strong><br \/>\nThe story began with Heinz Rohrer the CEO of Thorens making the  decision that the time was right to move from the \u2018stabilise and grow\u2019  strategy of the past few years to the \u2018invest to re-establish position\u2019  strategy.\u00a0 Heinz had always planned Thorens as a three-term strategy.\u00a0  \u2018Recovery and survival\u2019 when he first took over Thorens, then  \u2018stabilise\u2019, and now \u2018investment to re-establish pre-eminent position\u2019.<\/p>\n<p>Of course, the way to create the products to reposition Thorens  was key.\u00a0 Advice was sought from many areas.\u00a0 Advice was considered and a  radical decision was taken.\u00a0 If Thorens was to develop innovative,  performance orientated products it needed a very wide combination of  skills that could not come from one person. It had to be a team.\u00a0 The  choice of team in some ways was easy.\u00a0 Heinz had already worked with  Helmut Thiele on some industrial design projects.\u00a0 Helmut was both a  colleague and an old friend of Karl-Heinz Fink. For electronic  engineering, the obvious choice was the brilliant Walter Fuchs who  worked with Karl-Heinz on some projects.\u00a0 That left product planning and  marketing. Karl-Heinz suggested Steve Harris to get a more  international team and Heinz agreed after meetings in London and Basel.\u00a0  The team formed.\u00a0 Some with turntable design experience, some not; but  they came with the benefit of open minds.<\/p>\n<p><strong> The Brief<\/strong><br \/>\nThe brief was simple: remember the past if possible but do not let  that stop you designing something brilliant.\u00a0 The target customer was a  music lover but not necessarily a total audiophile.\u00a0 At the same time,  audiophiles should also feel comfortable with the turntable.\u00a0 The  primary goal was performance, the secondary goal was performance and  after that came the normal constraints: great looks, ease of use,  flexibility, price.<\/p>\n<p><strong>The Design<\/strong><br \/>\nEarly in the discussions about the first model, the team agreed to  go with a suspended sub chassis, to design a new tonearm and to continue  with belt drive.<\/p>\n<p>The choice of motor type was left open until a series of tests,  both measurement and listening based, could be analysed.\u00a0 The decision  to use a low-voltage low-noise DC motor was actually an easy decision.\u00a0  The far lower radiated field, the ease of accurate short- and long-term  speed control together with the lack of cogging, delivered improved  measurements and actually, more importantly, sonically a lack of  thickness in the lower registers that became known to the team as woomf  (or lack of woomf in the case of the DC motor). The motor mounts in an  anti-vibration adjustable moulding.<\/p>\n<p>The belt is traditional Thorens: high-precision rubber 4mm wide 496mm long that is ground to a tolerance of 0.03.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3188\" title=\"thorens_05_09_2.\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2009\/05\/thorens_05_09_2..jpg\" alt=\"\" width=\"585\" height=\"221\" \/><br \/>\n<\/em><\/p>\n<p><strong>Tri-Balance<\/strong><br \/>\nTraditionally suspended sub chassis turntables often require skills  in setting them up which are often seen as almost black magic to the  music lover.\u00a0 It was important that these modern turntables were suited  to a modern lifestyle, with all its time pressures, and were easy to  optimise.<br \/>\nThe system therefore had to have three feet and to be in static  balance.\u00a0 Thinking of the future: the design allowed alternative weights  to balance alternative tonearms.<br \/>\nThe three suspensions are easy to adjust from the top with just a  hex driver. The TD 309 benefits from being on a shelf or rack that is  not massively heavy, as the suspension is tuned to 4Hz deliberately well  below and ideal cartridge\/tonearm resonance.<br \/>\nThe suspension delivers the maximum vertical freedom with minimal  totally controlled lateral wobble, which also reduces footfall related  problems especially in rooms without solid floors.<br \/>\nBesides the three feet, giving cause for the name Tri-Balance the  whole Turntable, Tonearm and Platter are all precision and static  balanced.<\/p>\n<p><strong>DC Motor Control<\/strong><br \/>\nInitially the TD 309 will be supplied with a Switch Mode Power  Supply (SMPS) delivering the necessary 12V DC.\u00a0 This was chosen from  many on the basic of sonic performance.\u00a0 Later in 2009 Thorens will  launch an optional upgraded linear power supply which will improve  performance considerably.\u00a0 The nature of power supplies and their  interaction with turntables could be the subject of a white paper in  itself.\u00a0 Interestingly, linear does not necessarily beat switched mode  certainly with significant price restraints.\u00a0\u00a0\u00a0\u00a0 Speed control is by an  electronic Low-Q high-precision feedback control circuit.\u00a0 Speed is  constant regardless of weight of record or dynamic drag from the  stylus.\u00a0\u00a0\u00a0 The belt tension is adjustable to allow for belt stretch.\u00a0  Best performance is with the belt as loose as possible before wow and  flutter increases.<\/p>\n<p><strong> Platter<\/strong><br \/>\nThe sub platter is precision-machined Aluminium (ALMG1) with a  single ring micro-contact area.\u00a0 The diameter of the contact point  (121mm) selected by Finite Element Analysis (FEA) to be at the lowest  resonant point.\u00a0\u00a0\u00a0 Massive oversize fused-silica platter chosen for  consistency and sound quality.<\/p>\n<p><strong>Chassis<\/strong><br \/>\nThe base is precision machined from MDF by Computer Numerically  Controlled machines to achieve consistently tight engineering  tolerances. Very stiff rubber feet on suspension system to stop slipping  on shiny surfaces but not to act as a secondary suspension.<\/p>\n<p><strong> TP 92 Tone Arm<\/strong><br \/>\nThe armtube is manufactured from an Aluminium extrusion that is cold  worked and rolled for strength. The armtube is surface damped with a  random contact material designed to damp resonances without adding  emphasis on any one frequency.\u00a0 Reduced modal resonance.\u00a0\u00a0\u00a0 Arm  resonances and bearing rattle were found to be the most obvious but not  only key design parameters.\u00a0 The bearings are sourced in Japan from the  leading supplier of high quality, high-precision bearings.<br \/>\nThe innovative but simple magnetic anti-skate system features zero stiction and zero friction.<br \/>\nBrass dual-decoupled counterweight.<br \/>\nThe headshell is mounted to the cartridge and arm tube separately to  allow 5mm of overhang adjustment.\u00a0 Azimuth setting and an extra 6mm  overhang adjustment is available at the bearing end of the tonearm.<br \/>\nThe Centre of Gravity (CoG) of the cartridge, horizontal bearing and  counterweight are on a line with the tonearm giving good dynamic and  static balance.<br \/>\nThe arm wiring is known as 5.1 as there is an extra ground to allow  grounding of lower arm section to avoid current flowing over the  bearings.\u00a0 Arm wires are terminated at two high-quality RCA sockets on  the rear of the TD309.<br \/>\nArm is medium mass designed for cartridges of between10 &#8211; 20 l0-6 cm.dyne<\/p>\n<p><strong>Distributeur au Canada:<\/strong><br \/>\n<strong> VMAX Services<\/strong><br \/>\nCP 8, 1217 Greene Ave.<br \/>\nMontreal, QC H3Z 2T1<br \/>\n<strong>Tel. :<\/strong> (514) 931-1880<br \/>\n<strong>Fax :<\/strong> (514) 931-8891<br \/>\n<a href=\"http:\/\/www.vmax-services.com\/index.php\">http:\/\/www.vmax-services.com\/index.php<\/a><br \/>\n<a>info@vmax-services.com<\/a><br \/>\n<a href=\"http:\/\/www.thorens.com\">http:\/\/www.thorens.com<\/a><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>May 2009. Munich High-End Show.\u00a0 Thorens is delighted to announce that the results of over 18 months of research and development have come to fruition in the shape of the new Thorens TD 309 Tri-Balance turntable.\u00a0 The TD 309 will be available from September 2009 in a choice of Black or Red. Estimated retail price [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[],"class_list":["post-815","post","type-post","status-publish","format-standard","hentry","category-haute-fidelite","entry"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=815"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/815\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=815"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=815"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}