{"id":40477,"date":"2023-08-20T19:50:59","date_gmt":"2023-08-20T23:50:59","guid":{"rendered":"https:\/\/www.tedpublications.com\/fr\/?p=40477"},"modified":"2023-08-20T19:55:57","modified_gmt":"2023-08-20T23:55:57","slug":"claude-debussy-jean-paul-gasparian-piano-2","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/en\/claude-debussy-jean-paul-gasparian-piano-2\/","title":{"rendered":"Claude Debussy \u2022 Jean-Paul Gasparian (piano)"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><span style=\"font-size: 28px; font-family: Abril Fatface; color: #800000;\">Claude Debussy<\/span><\/strong><br \/>\n<span style=\"font-size: 28px; font-family: Abril Fatface; color: #800000;\">Jean-Paul Gasparian (piano)<br \/>\n<\/span><span lang=\"EN-CA\"><em>Preludes, Book\u00a0I. Prints. Spring rounds.<\/em><br \/>\n<\/span><span style=\"color: #800000;\"><strong>Na\u00efve, V 7958<\/strong><\/span><br \/>\nInterpretation\u2009: <span style=\"color: #800000;\">\u2605 \u2605\u2605\u2605<\/span><br \/>\nTechnical\u2009: <span style=\"color: #800000;\">\u2605\u2605<\/span><\/p>\n<p><a href=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-40470 alignright\" src=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-543x550.jpg\" alt=\"\" width=\"253\" height=\"256\" srcset=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-543x550.jpg 543w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-639x647.jpg 639w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-768x777.jpg 768w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-45x45.jpg 45w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001.jpg 1080w\" sizes=\"auto, (max-width: 253px) 100vw, 253px\" \/><\/a>Fascinating experience. We discovered this recording through digital <em>HD<\/em> files, then received the <em>CD<\/em> which we then listened to again. We were terribly disappointed, after listening to the files, by the hardness of the piano, its metallic side pulled towards the high. Listening to the CD, the flaws become a little less pronounced.<\/p>\n<p>There remains a hard capture (<em>The wind in the plain<\/em>) and with a strangely managed reverberation. You don\u2019t imagine the place and you don\u2019t get in touch with the pianist and the music.<\/p>\n<p>Both listenings verify the adage: sound quality amplifies defects.<\/p>\n<p class=\"RMTexte\" style=\"text-align: left;\" align=\"left\"><span lang=\"EN-CA\">At the very least, the <i>CD<\/i> is bearable. But in this context, the <i>Preludes<\/i> of the excellent <b>Jean-Paul Gasparian <\/b>are not the ones with whom one will go a long way. We are left with<b>Zimmerman<\/b>, <b>Koroliov<\/b>, <b>Austb\u00f6<\/b>, <b>Kocsis<\/b> and some others.<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.jeanpaulgasparian.com\/index.php\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/www.jeanpaulgasparian.com\/index.php<\/strong><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Claude Debussy Jean-Paul Gasparian (piano) Preludes, Book\u00a0I. Prints. Spring rounds. Na\u00efve, V 7958 Interpretation\u2009: \u2605 \u2605\u2605\u2605 Technical\u2009: \u2605\u2605 Fascinating experience. We discovered this recording through digital HD files, then received the CD which we then listened to again. We were terribly disappointed, after listening to the files, by the hardness of the piano, its metallic [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":40480,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1359,2727,2725],"tags":[],"class_list":["post-40477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-headline-en","category-rhythm-and-music","category-whats-new","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/40477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=40477"}],"version-history":[{"count":2,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/40477\/revisions"}],"predecessor-version":[{"id":40479,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/40477\/revisions\/40479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/40480"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=40477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=40477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=40477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}