{"id":40468,"date":"2023-08-20T14:35:31","date_gmt":"2023-08-20T18:35:31","guid":{"rendered":"https:\/\/www.tedpublications.com\/fr\/?p=40468"},"modified":"2023-08-20T14:35:31","modified_gmt":"2023-08-20T18:35:31","slug":"claude-debussy-jean-paul-gasparian-piano","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/claude-debussy-jean-paul-gasparian-piano\/","title":{"rendered":"Claude Debussy \u2022 Jean-Paul Gasparian (piano)"},"content":{"rendered":"<p style=\"text-align: center;\"><strong><span style=\"font-size: 28px; font-family: Abril Fatface; color: #800000;\">Claude Debussy<\/span><\/strong><br \/>\n<span style=\"font-size: 28px; font-family: Abril Fatface; color: #800000;\">Jean-Paul Gasparian (piano)<\/span><br \/>\n<em>Pr\u00e9ludes, Livre I. Estampes. Rondes de printemps.<\/em><br \/>\n<span style=\"color: #800000;\"><strong>Na\u00efve, V 7958<\/strong><\/span><br \/>\nInterpr\u00e9tation\u2009: <span style=\"color: #800000;\">\u2605 \u2605\u2605\u2605<\/span><br \/>\nTechnique\u2009: <span style=\"color: #800000;\">\u2605\u2605<\/span><\/p>\n<p><a href=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-40470 alignright\" src=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-543x550.jpg\" alt=\"\" width=\"253\" height=\"256\" srcset=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-543x550.jpg 543w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-639x647.jpg 639w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-768x777.jpg 768w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001-45x45.jpg 45w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2023\/08\/DSCF0359-001.jpg 1080w\" sizes=\"auto, (max-width: 253px) 100vw, 253px\" \/><\/a>Fascinante exp\u00e9rience. Nous avons d\u00e9couvert cet enregistrement \u00e0 travers des fichiers num\u00e9riques <em>HD<\/em>, puis avons re\u00e7u le <em>CD<\/em> que nous avons alors r\u00e9\u00e9cout\u00e9. Nous avions \u00e9t\u00e9 affreusement d\u00e9\u00e7us, apr\u00e8s l\u2019\u00e9coute des fichiers, par la duret\u00e9 du piano, son c\u00f4t\u00e9 m\u00e9tallique tir\u00e9 vers l\u2019aigu. \u00c0 l\u2019\u00e9coute du <em>CD<\/em>, les d\u00e9fauts s\u2019att\u00e9nuent un peu.<\/p>\n<p>Il reste une captation dure (<em>Le vent dans la plaine<\/em>) et \u00e0 la r\u00e9verb\u00e9ration \u00e9trangement g\u00e9r\u00e9e. On ne s\u2019imagine pas le lieu et on n\u2019entre pas en contact avec le pianiste et la musique.<\/p>\n<p>Les deux \u00e9coutes v\u00e9rifient l\u2019adage : la qualit\u00e9 sonore amplifie les d\u00e9fauts. \u00c0 tout le moins, le <em>CD<\/em> est supportable.<\/p>\n<p>Mais dans ce contexte, les <em>Pr\u00e9ludes<\/em> de l\u2019excellent <strong>Jean-Paul Gasparian<\/strong> ne sont pas ceux avec lesquels on fera un bout de chemin. On en reste \u00e0 <strong>Zimmerman<\/strong>, <strong>Koroliov<\/strong>, <strong>Austb\u00f6<\/strong>, <strong>Kocsis<\/strong> et quelques autres.<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #800000;\"><a style=\"color: #800000;\" href=\"https:\/\/www.jeanpaulgasparian.com\/index.php\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/www.jeanpaulgasparian.com\/index.php<\/strong><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Claude Debussy Jean-Paul Gasparian (piano) Pr\u00e9ludes, Livre I. Estampes. Rondes de printemps. Na\u00efve, V 7958 Interpr\u00e9tation\u2009: \u2605 \u2605\u2605\u2605 Technique\u2009: \u2605\u2605 Fascinante exp\u00e9rience. Nous avons d\u00e9couvert cet enregistrement \u00e0 travers des fichiers num\u00e9riques HD, puis avons re\u00e7u le CD que nous avons alors r\u00e9\u00e9cout\u00e9. Nous avions \u00e9t\u00e9 affreusement d\u00e9\u00e7us, apr\u00e8s l\u2019\u00e9coute des fichiers, par la duret\u00e9 [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":40469,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,39,53],"tags":[],"class_list":["post-40468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haute-fidelite","category-actualite","category-rythme-et-musique","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/40468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=40468"}],"version-history":[{"count":4,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/40468\/revisions"}],"predecessor-version":[{"id":40476,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/40468\/revisions\/40476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/40469"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=40468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=40468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=40468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}