{"id":37116,"date":"2022-08-18T13:44:40","date_gmt":"2022-08-18T17:44:40","guid":{"rendered":"https:\/\/www.tedpublications.com\/fr\/?p=37116"},"modified":"2022-08-18T13:44:40","modified_gmt":"2022-08-18T17:44:40","slug":"daniel-barenboim-encores-pieces-celebres-pour-piano","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/daniel-barenboim-encores-pieces-celebres-pour-piano\/","title":{"rendered":"DANIEL BARENBO\u00cfM, Encores; Pi\u00e8ces c\u00e9l\u00e8bres pour piano"},"content":{"rendered":"<p><span style=\"font-family: helvetica;\"><a href=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-37117\" src=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-550x550.jpg\" alt=\"\" width=\"341\" height=\"341\" srcset=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-550x550.jpg 550w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-647x647.jpg 647w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-150x150.jpg 150w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-768x768.jpg 768w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-45x45.jpg 45w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-235x235.jpg 235w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-470x470.jpg 470w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano-100x100.jpg 100w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2022\/08\/Barenboim_au_piano.jpg 1080w\" sizes=\"auto, (max-width: 341px) 100vw, 341px\" \/><\/a>DG, 486 0932<\/span><\/p>\n<p><span style=\"font-family: helvetica;\">Interpr\u00e9tation\u00a0: \u272d\u272d\u272d<\/span><\/p>\n<p><span style=\"font-family: helvetica;\">Technique\u00a0: \u272d\u272d\u272d\u272d<\/span><\/p>\n<p><span style=\"font-family: helvetica;\">Il y aura possiblement sur un tel disque un <em>divorce<\/em> entre critique et public. Certes, <strong>Daniel<\/strong> <strong>Barenbo\u00efm<\/strong>, en tant que pianiste, n\u2019a plus la dext\u00e9rit\u00e9 d\u2019antan, m\u00eame s\u2019il n\u2019a d\u2019ailleurs jamais \u00e9t\u00e9 le plus grand virtuose qui soit. Mais il reste un excellent musicien et interpr\u00e8te qui a articul\u00e9 un programme autour de pi\u00e8ces plut\u00f4t nostalgiques\u00a0&#8211; <em>R\u00eaverie<\/em> de <strong>Schumann<\/strong>, <em>Consolation n<\/em><em><sup>o<\/sup><\/em><em>\u00a03<\/em> de <strong>Liszt<\/strong>, <em>Clair de lune<\/em> de <strong>Debussy<\/strong>, <em>Tango<\/em> d\u2019<strong>Alb\u00e9niz<\/strong>\u00a0&#8211; qu\u2019il joue avec beaucoup de sensibilit\u00e9. Justement, ce menu de courtes pi\u00e8ces n\u2019est pas enregistr\u00e9 pour que les sp\u00e9cialistes r\u00e9alisent des discographies compar\u00e9es, mais pour que des auditeurs, m\u00eame n\u00e9ophytes, se retrouvent avec un plaisant programme de piano facile d\u2019\u00e9coute. Ce but-l\u00e0 est dignement atteint.<\/span><\/p>\n<p><strong><span style=\"font-family: helvetica;\"><a href=\"https:\/\/www.deutschegrammophon.com\/en\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #800000; font-size: 20px;\">https:\/\/www.deutschegrammophon.com\/en\/<\/span><\/a><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>DG, 486 0932 Interpr\u00e9tation\u00a0: \u272d\u272d\u272d Technique\u00a0: \u272d\u272d\u272d\u272d Il y aura possiblement sur un tel disque un divorce entre critique et public. Certes, Daniel Barenbo\u00efm, en tant que pianiste, n\u2019a plus la dext\u00e9rit\u00e9 d\u2019antan, m\u00eame s\u2019il n\u2019a d\u2019ailleurs jamais \u00e9t\u00e9 le plus grand virtuose qui soit. Mais il reste un excellent musicien et interpr\u00e8te qui a [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":37118,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,39,53],"tags":[],"class_list":["post-37116","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haute-fidelite","category-actualite","category-rythme-et-musique","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/37116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=37116"}],"version-history":[{"count":5,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/37116\/revisions"}],"predecessor-version":[{"id":37120,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/37116\/revisions\/37120"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/37118"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=37116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=37116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=37116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}