{"id":33042,"date":"2021-02-19T12:26:12","date_gmt":"2021-02-19T17:26:12","guid":{"rendered":"https:\/\/www.tedpublications.com\/fr\/?p=33042"},"modified":"2021-02-19T12:44:41","modified_gmt":"2021-02-19T17:44:41","slug":"mariss-janson-his-last-concert-live-at-carnegie-hall","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/mariss-janson-his-last-concert-live-at-carnegie-hall\/","title":{"rendered":"Mariss Janson &#8211; His Last Concert &#8211; Live at Carnegie Hall"},"content":{"rendered":"<p><em><strong>Oeuvres de Strauss et Brahms.<\/strong><\/em><\/p>\n<p><em><a href=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2021\/02\/Mariss_Jansons_His_Last_Concert.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-33044\" src=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2021\/02\/Mariss_Jansons_His_Last_Concert-647x647.jpg\" alt=\"\" width=\"367\" height=\"342\" \/><\/a>BR Klassik, 900 192.<\/em><\/p>\n<p>Interpr\u00e9tation\u2009: \u2605 \u2605 \u2605 \u2605<\/p>\n<p>Technique\u2009: \u2605 \u2605 \u2605 \u2605<\/p>\n<p>Nous avons d\u00e9j\u00e0 une <em>4<\/em><em>\u200a<\/em><em><sup>e<\/sup><\/em><em>\u00a0Symphonie<\/em> de <strong>Brahms<\/strong> par <strong>Mariss Jansons<\/strong> chez <strong>BR Klassik<\/strong>, datant de\u00a02010 et partie int\u00e9grante du cycle <strong>Brahms<\/strong> du chef letton. C\u2019est une <em>4<\/em><em>\u200a<\/em><em><sup>e<\/sup><\/em><em>\u00a0Symphonie<\/em> excellente, mais normale. Celle-ci est exceptionnelle. Nous sommes le 8 novembre 2019 \u00e0 New York. Quelques heures apr\u00e8s ce concert, <strong>Mariss Jansons<\/strong> sera amen\u00e9 d\u2019urgence \u00e0 l\u2019h\u00f4pital. Il ne dirigera pas le lendemain. Il ne dirigera plus jamais. Un avion le ram\u00e8nera \u00e0 Saint-P\u00e9tersbourg o\u00f9 il mourra le 30 novembre.<\/p>\n<p>Lors de cet ultime concert, <strong>Mariss Jansons<\/strong> est \u00e0 la baguette pour les 4\u00a0<em>Interludes<\/em> symphoniques d\u2019<em>Intermezzo<\/em>, les 4\u00a0<em>Derniers Lieder<\/em> de <strong>Strauss<\/strong> avec <strong>Diana Damrau<\/strong> et la <em>4\u200a<sup>e<\/sup>\u00a0Symphonie<\/em> de <strong>Brahms<\/strong>. Nous ne trouvons pas, dans ce disque, les <em>Lieder<\/em> avec <strong>Damrau<\/strong>, parus pr\u00e9c\u00e9demment chez <strong>Erato<\/strong>, tir\u00e9s d\u2019un spectacle ant\u00e9rieur donn\u00e9 \u00e0 Munich. Ce concert de novembre est admirable et tr\u00e8s \u00e9mouvant.<\/p>\n<p>Ce n\u2019est pas faire injure \u00e0 <em>Intermezzo<\/em> de <strong>Strauss<\/strong> que de dire que la <em>4\u200a<sup>e<\/sup>\u00a0Symphonie <\/em>de <strong>Brahms<\/strong> attire toute l\u2019attention. Elle est beaucoup plus dense et tendue que la version ant\u00e9rieure. La puissance, exceptionnelle, rappelle le dernier enregistrement de <strong>Karajan<\/strong>, avec un orchestre aussi immense que celui de Berlin.<\/p>\n<p><em><a href=\"https:\/\/www.br-klassik.de\/index.html\" target=\"_blank\" rel=\"noopener\">https:\/\/www.br-klassik.de\/index.html<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oeuvres de Strauss et Brahms. BR Klassik, 900 192. Interpr\u00e9tation\u2009: \u2605 \u2605 \u2605 \u2605 Technique\u2009: \u2605 \u2605 \u2605 \u2605 Nous avons d\u00e9j\u00e0 une 4\u200ae\u00a0Symphonie de Brahms par Mariss Jansons chez BR Klassik, datant de\u00a02010 et partie int\u00e9grante du cycle Brahms du chef letton. C\u2019est une 4\u200ae\u00a0Symphonie excellente, mais normale. Celle-ci est exceptionnelle. Nous sommes le [&hellip;]<\/p>\n","protected":false},"author":38,"featured_media":33043,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,1358,39,53],"tags":[],"class_list":["post-33042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haute-fidelite","category-hi-fi","category-actualite","category-rythme-et-musique","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/33042","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=33042"}],"version-history":[{"count":2,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/33042\/revisions"}],"predecessor-version":[{"id":33046,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/33042\/revisions\/33046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/33043"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=33042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=33042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=33042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}