{"id":30692,"date":"2019-07-29T20:57:00","date_gmt":"2019-07-30T00:57:00","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=30692"},"modified":"2019-07-29T20:58:17","modified_gmt":"2019-07-30T00:58:17","slug":"la-prise-de-son-du-mois-jean-sebastien-bach","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/la-prise-de-son-du-mois-jean-sebastien-bach\/","title":{"rendered":"La prise de son du mois: JEAN-S\u00c9BASTIEN BACH"},"content":{"rendered":"<h4><em><span style=\"color: #800000;\"><strong>Bach to the Future. \u0152uvres de Bach<br \/>\n\u00e0 l\u2019orgue de Notre-Dame de Paris<\/strong><\/span><\/em><\/h4>\n<p><strong><a href=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-30693\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach.jpg\" alt=\"\" width=\"320\" height=\"320\" srcset=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach.jpg 520w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-235x235.jpg 235w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-100x100.jpg 100w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-470x470.jpg 470w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-150x150.jpg 150w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-295x295.jpg 295w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-290x290.jpg 290w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-300x300.jpg 300w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2019\/07\/Prise_de_son_du_mois_Bach-45x45.jpg 45w\" sizes=\"auto, (max-width: 320px) 100vw, 320px\" \/><\/a>Olivier Latry<\/strong><\/p>\n<p><strong>La Dolce Volta, LDV\u00a069<\/strong><\/p>\n<p>Interpr\u00e9tation\u2009:\u00a0 <span style=\"color: #ff0000;\">\u2605\u2605\u2605\u2605<\/span><\/p>\n<p><strong>Technique<\/strong><strong>\u2009<\/strong><strong>:<\/strong><strong>\u00a0 <\/strong><span style=\"color: #ff0000;\"><strong>\u2605\u2605\u2605\u2605\u2605<\/strong><\/span><\/p>\n<p>Ce disque est devenu un ph\u00e9nom\u00e8ne dans la nuit du\u00a015 au 16\u00a0avril 2019, en raison du tragique incendie de <strong>Notre-Dame de Paris<\/strong>. Le 16\u00a0avril au matin, le c\u0153ur meurtri par les \u00e9v\u00e9nements, l\u2019organiste titulaire <strong>Olivier Latry <\/strong>se f\u00e9licitait d\u2019avoir accept\u00e9, apr\u00e8s deux ans d\u2019h\u00e9sitations, la proposition de <strong>Michael Adda<\/strong>, le fondateur de <strong>La Dolce Volta<\/strong>, d\u2019enregistrer <strong>Bach<\/strong> \u00e0 <strong>Notre-Dame<\/strong>. La captation a \u00e9t\u00e9 effectu\u00e9e du\u00a06 au 8\u00a0janvier 2019. Un film a ensuite \u00e9t\u00e9 tourn\u00e9 d\u00e9but f\u00e9vrier, de nuit avec grues et drones \u00e0 l\u2019int\u00e9rieur de la cath\u00e9drale illumin\u00e9e, sur la <em>Toccata et fugue en r\u00e9 mineur BWV\u00a0565<\/em> (on peut trouver sur <strong>YouTube<\/strong> ces dix minutes devenues patrimoniales).<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/e2uuE5ZQN6A\" width=\"647\" height=\"370\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Depuis le 16\u00a0avril 2019, donc, ce disque s\u2019arrache et le malheur qui s\u2019est abattu sur l\u2019\u00e9difice permettra sans doute \u00e0 ce petit \u00e9diteur fran\u00e7ais, sp\u00e9cialiste des objets \u00e9ditoriaux les plus soign\u00e9s, de mettre de l\u2019oxyg\u00e8ne dans ses finances pour un certain temps. Par chance, le disque est fascinant et la captation de <strong>Fran\u00e7ois Eckert<\/strong> de ce gigantesque instrument de 8\u00a0000\u00a0tuyaux est d\u2019une qualit\u00e9 rare. C\u2019est un fait \u00e0 signaler, car sur de nombreux enregistrements <strong>Philips<\/strong> d\u2019il y a 40 ans, l\u2019orgue de <strong>Notre-Dame<\/strong> sonne tr\u00e8s m\u00e9tallique (il a \u00e9t\u00e9 r\u00e9vis\u00e9 et restaur\u00e9 deux fois depuis). Ce n\u2019est pas \u00e0 proprement parler l\u2019instrument id\u00e9al pour jouer <strong>Bach<\/strong>, mais ce disque a acquis un autre statut.<\/p>\n<p><strong><a href=\"https:\/\/www.ladolcevolta.com\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ladolcevolta.com<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bach to the Future. \u0152uvres de Bach \u00e0 l\u2019orgue de Notre-Dame de Paris Olivier Latry La Dolce Volta, LDV\u00a069 Interpr\u00e9tation\u2009:\u00a0 \u2605\u2605\u2605\u2605 Technique\u2009:\u00a0 \u2605\u2605\u2605\u2605\u2605 Ce disque est devenu un ph\u00e9nom\u00e8ne dans la nuit du\u00a015 au 16\u00a0avril 2019, en raison du tragique incendie de Notre-Dame de Paris. Le 16\u00a0avril au matin, le c\u0153ur meurtri par les \u00e9v\u00e9nements, [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":30697,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,39,53],"tags":[],"class_list":["post-30692","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-haute-fidelite","category-actualite","category-rythme-et-musique","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/30692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=30692"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/30692\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/30697"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=30692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=30692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=30692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}