{"id":21135,"date":"2014-12-08T16:17:45","date_gmt":"2014-12-08T16:17:45","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=21135"},"modified":"2014-12-08T16:22:06","modified_gmt":"2014-12-08T16:22:06","slug":"marc-andre-hamelin-piano-debussy","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/marc-andre-hamelin-piano-debussy\/","title":{"rendered":"<!--:fr-->Marc-Andr\u00e9 Hamelin (Piano) &#8211; Debussy<!--:-->"},"content":{"rendered":"<p><!--:fr--><\/p>\n<h4><em><span style=\"color: #666699;\">Images (Livres I et II), Pr\u00e9ludes (Livre II)<br \/>\nHyperion, CDA 67920<\/span><\/em><\/h4>\n<p><em><a href=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/marc_andrehamelin_piano_2014_12_08.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-21138 alignleft\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/marc_andrehamelin_piano_2014_12_08.jpg\" alt=\"marc_andrehamelin_piano_2014_12_08\" width=\"331\" height=\"304\" \/><\/a>Par <\/em><strong>Christophe Huss<\/strong><br \/>\n<em><br \/>\nReflets dans l\u2019eau (Images, Livre\u00a0I), Cloches \u00e0 travers les feuilles (Images, Livre\u00a0II), Brouillards (Pr\u00e9ludes, Livre\u00a0II)\u2026<\/em> Nulle surprise que la musique de <strong>Debussy<\/strong> ait \u00e9t\u00e9 facilement qualifi\u00e9e d\u2019impressionniste. Ce qualificatif a souvent donn\u00e9 lieu \u00e0 une m\u00e9prise, car le flou musical \u00e9vapor\u00e9 n\u2019a rien \u00e0 voir avec l\u2019\u00e9criture musicale debussyste, tr\u00e8s pr\u00e9cise. Si l\u2019on avait besoin de prouver cela, le nouveau disque de <strong>Marc-Andr\u00e9 Hamelin<\/strong> serait parfaitement indiqu\u00e9.<\/p>\n<p>La nettet\u00e9 et le perl\u00e9 du jeu du pianiste qu\u00e9b\u00e9cois met en lumi\u00e8re ces tableaux sonores. Une lumi\u00e8re naturelle, qui en r\u00e9v\u00e8le tous les d\u00e9tails. Certes, les r\u00e9f\u00e9rences (<strong>Bavouzet, Zimerman, Kocsis, Bianconi<\/strong>) ne manquent pas dans l\u2019\u0153uvre pour piano de <strong>Debussy<\/strong>, y compris au sein du catalogue <strong>Hyperion<\/strong>, o\u00f9 <strong>Steven Osborne<\/strong> a enregistr\u00e9 les deux livres de <em>Pr\u00e9ludes<\/em>. <strong>Marc-Andr\u00e9 Hamelin<\/strong> ajoute sa voix et approche cette musique non pas en peintre livrant des impressions mais en pianiste usant de sa palette pour cr\u00e9er, \u00e0 l\u2019aide de contours nets une po\u00e9sie musicale intrins\u00e8que. C\u2019est admirable.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube-nocookie.com\/embed\/_7Gaz0rMcWQ?rel=0\" width=\"645\" height=\"390\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Interpr\u00e9tation:<\/strong> <span style=\"color: #ff0000;\">\u2605 \u2605 \u2605 \u2605<br \/>\n<\/span><strong>Son\u2009:<\/strong> <span style=\"color: #ff0000;\">\u2605 \u2605 \u2605 \u2605<\/span><\/p>\n<p><a href=\"http:\/\/issuu.com\/harmonia_mundi\/docs\/2014_11\/17\" target=\"_blank\"><strong>http:\/\/issuu.com<\/strong><\/a><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Images (Livres I et II), Pr\u00e9ludes (Livre II) Hyperion, CDA 67920 Par Christophe Huss Reflets dans l\u2019eau (Images, Livre\u00a0I), Cloches \u00e0 travers les feuilles (Images, Livre\u00a0II), Brouillards (Pr\u00e9ludes, Livre\u00a0II)\u2026 Nulle surprise que la musique de Debussy ait \u00e9t\u00e9 facilement qualifi\u00e9e d\u2019impressionniste. Ce qualificatif a souvent donn\u00e9 lieu \u00e0 une m\u00e9prise, car le flou musical \u00e9vapor\u00e9 [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":21137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,53],"tags":[],"class_list":["post-21135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite","category-rythme-et-musique","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/21135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=21135"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/21135\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/21137"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=21135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=21135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=21135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}