{"id":21087,"date":"2014-12-01T13:27:24","date_gmt":"2014-12-01T13:27:24","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=21087"},"modified":"2014-12-01T13:30:11","modified_gmt":"2014-12-01T13:30:11","slug":"giuliano-carmignola-bach-concertos-pour-violon","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/giuliano-carmignola-bach-concertos-pour-violon\/","title":{"rendered":"<!--:fr-->Giuliano Carmignola: Bach &#8211; Concertos pour violon<!--:-->"},"content":{"rendered":"<p><!--:fr--><em><a href=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-21090 alignleft\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola.jpg\" alt=\"Bach_Giuliano_Carmignola\" width=\"274\" height=\"274\" srcset=\"https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola.jpg 600w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-235x235.jpg 235w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-100x100.jpg 100w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-470x470.jpg 470w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-150x150.jpg 150w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-400x400.jpg 400w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-295x295.jpg 295w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-290x290.jpg 290w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-300x300.jpg 300w, https:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2014\/12\/Bach_Giuliano_Carmignola-45x45.jpg 45w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/a>Par<\/em> <strong>Christophe Huss<\/strong><\/p>\n<p><strong>Classique<\/strong><br \/>\n<em>Bach<\/em><br \/>\nConcertos pour violon, Giuliano Carmignola, Concerto K\u00f6ln.<br \/>\n<strong>Archiv 479 2695.<\/strong><\/p>\n<p>Comme un fait expr\u00e8s, cette nouvelle version des concertos pour violon de Bach (<em>BWV 1041, 1042, 1043 <\/em>\u2014 avec Mayumi Hirasaki \u2014, <em>1052R et 1056R<\/em>) est arriv\u00e9e au lendemain de la douche froide du concert de l\u2019Orchestre baroque de Fribourg.<\/p>\n<p>Le CD sign\u00e9 par l\u2019ensemble rival, le Concerto K\u00f6ln, associ\u00e9 \u00e0 une vedette du violon baroque, sonne comme une bouff\u00e9e d\u2019air frais \u00e0 mes oreilles \u00e9corch\u00e9es. La vision de Carmignola est clairement baroque, roborative, illumin\u00e9e par un soleil italien.<\/p>\n<p>Elle se distingue de la version Mullova-Dantone par une approche plus bondissante et une image sonore plus claire, qui tire un peu vers les aigus. La diff\u00e9rence majeure par rapport \u00e0 d\u2019autres r\u00e9f\u00e9rences est la pr\u00e9sence tr\u00e8s palpable (et fort agr\u00e9able) du continuo de clavecin.<\/p>\n<p>Comme Kremer (au diapason moderne), Carmignola d\u00e9fend un Bach un peu rock\u2019n\u2019roll, imm\u00e9diatement enthousiasmant. Mullova, et son pendant<em> \u00ab\u00a0<\/em>moderne\u00a0\u00bb Julia Fischer, plus raffin\u00e9es, paraissent un peu \u00e9teintes.<\/p>\n<p>Source\u00a0: <a href=\"http:\/\/www.ledevoir.com\/\" target=\"_blank\"><span style=\"color: #808080;\"><strong>Le Devoir<\/strong><\/span><\/a><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Par Christophe Huss Classique Bach Concertos pour violon, Giuliano Carmignola, Concerto K\u00f6ln. Archiv 479 2695. Comme un fait expr\u00e8s, cette nouvelle version des concertos pour violon de Bach (BWV 1041, 1042, 1043 \u2014 avec Mayumi Hirasaki \u2014, 1052R et 1056R) est arriv\u00e9e au lendemain de la douche froide du concert de l\u2019Orchestre baroque de Fribourg. [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":21089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,53],"tags":[],"class_list":["post-21087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualite","category-rythme-et-musique","entry","has-media"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/21087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=21087"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/21087\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media\/21089"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=21087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=21087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=21087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}