{"id":16411,"date":"2013-10-26T09:40:13","date_gmt":"2013-10-26T13:40:13","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=16411"},"modified":"2013-10-26T09:40:13","modified_gmt":"2013-10-26T13:40:13","slug":"the-chris-parker-trio-gpr-sc-013","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/the-chris-parker-trio-gpr-sc-013\/","title":{"rendered":"<!--:fr-->The Chris Parker Trio GPR, SC 013<!--:-->"},"content":{"rendered":"<p><!--:fr--><\/p>\n<p align=\"left\"><a href=\"http:\/\/www.tedpublications.com\/fr\/actualite\/the-chris-parker-trio-gpr-sc-013\/attachment\/chris_parker_trio\/\" rel=\"attachment wp-att-16412\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16412 aligncenter\" style=\"border: 0px none;\" alt=\"Chris_Parker_Trio\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2013\/10\/Chris_Parker_Trio.jpg\" width=\"590\" height=\"369\" \/><\/a><\/p>\n<p align=\"left\"><strong><em>En Jazzant,<\/em><\/strong> par <b><i>Gilles Archambault &#8211; <\/i><\/b><em>Romancier et r\u00e9alisateur, mais aussi animateur d\u2019\u00e9missions sur le jazz et la litt\u00e9rature, il a travaill\u00e9 \u00e0 Radio-Canada de 1963 \u00e0 1992. Son \u00e9mission \u00abJazz soliloque\u00bb fait aujourd\u2019hui figure de r\u00e9f\u00e9rence dans le domaine.<\/em><strong><\/strong><\/p>\n<p>Chris Parker a connu comme batteur une fructueuse carri\u00e8re. On retient de lui sa participation \u00e0 l\u2019ensemble des fr\u00e8res <strong>Brecker<\/strong>.<\/p>\n<p>Le trio qu\u2019il pr\u00e9sente ici comprend <strong>Kyoto Oyobe<\/strong> au piano et <strong>Ameen Saleem<\/strong> \u00e0 la contrebasse. La musique qui nous est propos\u00e9e est d\u2019embl\u00e9e accessible.<\/p>\n<p><strong>Chris Parker<\/strong> sait \u00eatre discret, pr\u00e9f\u00e9rant favoriser la collaboration avec les membres de son trio plut\u00f4t que de chercher l\u2019\u00e9pate.<\/p>\n<p>Ici et l\u00e0, <strong>Kyoto Oyobe<\/strong> nous prouve pourquoi elle est aussi en demande dans son <em>Japon<\/em> natal qu\u2019\u00e0 <em>New York<\/em>.<\/p>\n<p>Un disque agr\u00e9able. Sans plus.<\/p>\n<p><strong>Plages de l\u2019album\u00a0:<\/strong><br \/>\n1 C&rsquo;est Possible (Christopher Parker)<br \/>\n2 Love for Sale (Cole Porter)<br \/>\n3 Wednesday Morning (Bruno Destrez)<br \/>\n4 Song for Bilbao (Pat Metheny)<br \/>\n5 Waltz for Apple (Kyoko Oyobe)<br \/>\n6 We&rsquo;ll Meet Again-Matane(Kyoko Oyobe)<br \/>\n7 In a Capricornian Way (Woody Shaw)<br \/>\n8 I Want You (Horace Silver)<br \/>\n9 Six Beauties On a Rooftoph (Christopher Parker)<br \/>\n10 Impromptoph (Christopher Parker)<br \/>\n11 Rockhouse (Ray Charles)<\/p>\n<p><a href=\"http:\/\/chrisparkerdrums.com\/\" target=\"_blank\"><strong>http:\/\/chrisparkerdrums.com\/<\/strong><\/a><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En Jazzant, par Gilles Archambault &#8211; Romancier et r\u00e9alisateur, mais aussi animateur d\u2019\u00e9missions sur le jazz et la litt\u00e9rature, il a travaill\u00e9 \u00e0 Radio-Canada de 1963 \u00e0 1992. Son \u00e9mission \u00abJazz soliloque\u00bb fait aujourd\u2019hui figure de r\u00e9f\u00e9rence dans le domaine. Chris Parker a connu comme batteur une fructueuse carri\u00e8re. On retient de lui sa participation [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,53],"tags":[],"class_list":["post-16411","post","type-post","status-publish","format-standard","hentry","category-actualite","category-rythme-et-musique","entry"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/16411","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=16411"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/16411\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=16411"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=16411"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=16411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}