{"id":16291,"date":"2013-10-13T18:27:30","date_gmt":"2013-10-13T22:27:30","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=16291"},"modified":"2013-10-13T18:27:30","modified_gmt":"2013-10-13T22:27:30","slug":"paul-bley-closer-esp-1021","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/paul-bley-closer-esp-1021\/","title":{"rendered":"<!--:fr-->PAUL BLEY &#8211; Closer: ESP, 1021<!--:-->"},"content":{"rendered":"<p><!--:fr--><strong><em>En Jazzant,<\/em><\/strong> par <b><i>Gilles Archambault<br \/>\n<\/i><\/b><em>Romancier et r\u00e9alisateur, mais aussi animateur d\u2019\u00e9missions sur le jazz et la litt\u00e9rature, il a travaill\u00e9 \u00e0 Radio-Canada de 1963 \u00e0 1992. Son \u00e9mission \u00abJazz soliloque\u00bb fait aujourd\u2019hui figure de r\u00e9f\u00e9rence dans le domaine.<\/em><\/p>\n<p><b><i><a href=\"http:\/\/www.tedpublications.com\/fr\/actualite\/paul-bley-closer-esp-1021\/attachment\/paul_bley_trio_closer\/\" rel=\"attachment wp-att-16293\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-16293\" style=\"border: 0px none;\" alt=\"Paul_Bley_Trio_Closer\" src=\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2013\/10\/Paul_Bley_Trio_Closer.jpg\" width=\"207\" height=\"207\" \/><\/a>PAUL BLEY &#8211; Closer: <\/i><\/b><i>ESP, <\/i><b><i>1021<br \/>\n<\/i><\/b>Il s\u2019en est pass\u00e9 des choses dans la carri\u00e8re de <b>Paul Bley<\/b><b> <\/b>depuis l\u2019enregistrement de ce disque. En\u00a01965, le pianiste montr\u00e9alais \u00e9tait une \u00e9toile montante dans le firmament de la nouvelle musique.<\/p>\n<p>Accompagn\u00e9 par <b>Steve Swallow<\/b> \u00e0 la basse et <b>Barry Altschul<\/b> \u00e0 la percussion, il se livre \u00e0 des incursions, br\u00e8ves mais concluantes, dans un univers ancr\u00e9 dans la nostalgie. La plupart des compositions sont de <b>Carla Bley<\/b>.<\/p>\n<p>On retire de l\u2019\u00e9coute de ce <i>CD<\/i> une \u00e9motion certaine, de ce genre d\u2019\u00e9motion que suscite la po\u00e9sie authentique.<\/p>\n<p>Le style de <b>Paul Bley<\/b> \u00e9voluera, ses improvisations seront \u00e0 la fois plus complexes et plus \u00e9labor\u00e9es, mais il ne faudrait pas croire que ce musicien n\u2019en \u00e9tait alors qu\u2019\u00e0 ses premiers balbutiements.<\/p>\n<p>Ne pas oublier que <b>Paul Bley<\/b> a commenc\u00e9 tr\u00e8s t\u00f4t sa carri\u00e8re professionnelle, soit \u00e0 13\u00a0ans<\/p>\n<p><b>Paul Blay Trio<br \/>\n\u2022 <\/b>Paul Bley: piano<br \/>\n\u2022 Barry Altschul: percussion<br \/>\n\u2022 Steve Swallow: bass<\/p>\n<p><strong>Plages de l\u2019album\u00a0:<\/strong><br \/>\n<strong>1<\/strong> Ida Lupino<br \/>\n<strong>2<\/strong> Start<br \/>\n<strong>3<\/strong> Closer<br \/>\n<strong>4<\/strong> Sideway In Mexico<br \/>\n<strong>5<\/strong> Batterie<br \/>\n<strong>6<\/strong> And Now The Queen<br \/>\n<strong>7<\/strong> Pigfoot<br \/>\n<strong>8<\/strong> Crossroads<br \/>\n<strong>9<\/strong> Violin<br \/>\n<strong>10<\/strong> Cortoon<\/p>\n<p><a href=\"http:\/\/www.improvart.com\/bley\/\" target=\"_blank\"><strong>http:\/\/www.improvart.com\/bley\/<\/strong><\/a><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En Jazzant, par Gilles Archambault Romancier et r\u00e9alisateur, mais aussi animateur d\u2019\u00e9missions sur le jazz et la litt\u00e9rature, il a travaill\u00e9 \u00e0 Radio-Canada de 1963 \u00e0 1992. Son \u00e9mission \u00abJazz soliloque\u00bb fait aujourd\u2019hui figure de r\u00e9f\u00e9rence dans le domaine. PAUL BLEY &#8211; Closer: ESP, 1021 Il s\u2019en est pass\u00e9 des choses dans la carri\u00e8re de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,39,53],"tags":[],"class_list":["post-16291","post","type-post","status-publish","format-standard","hentry","category-haute-fidelite","category-actualite","category-rythme-et-musique","entry"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/16291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=16291"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/16291\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=16291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=16291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=16291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}