{"id":14507,"date":"2013-04-03T14:25:10","date_gmt":"2013-04-03T18:25:10","guid":{"rendered":"http:\/\/www.tedpublications.com\/fr\/?p=14507"},"modified":"2013-04-03T14:25:10","modified_gmt":"2013-04-03T18:25:10","slug":"notturna-en-concert-le-20-avril","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/fr\/notturna-en-concert-le-20-avril\/","title":{"rendered":"Notturna en concert le 20 avril"},"content":{"rendered":"

<\/p>\n

\"notturna_opera\"<\/a><\/p>\n

L’Amant jaloux d\u2019Andr\u00e9-Ernest-Modeste Gr\u00e9try<\/em> (1741-1813) connaissait un v\u00e9ritable engouement \u00e0 son \u00e9poque. 23e<\/sup> op\u00e9ra du compositeur belge, L\u2019Amant jaloux<\/em> respire le style italien classique d\u2019un jeune Mozart<\/em>.<\/p>\n

Notre repr\u00e9sentation de cet op\u00e9ra\u00a0est sous forme \u00abconcentr\u00e9e\u00bb, dans un arrangement de l\u2019\u00e9poque pour fl\u00fbte, hautbois, violon, alto et basse.<\/p>\n

Color\u00e9 et techniquement brillant,\u00a0cette transcription reste enti\u00e8rement convaincant et\u00a0contient toute la musique de l’op\u00e9ra, y compris l’ouverture et les arias.<\/p>\n

Christopher Palameta<\/strong>, hautbois,
\nMika Putterman<\/strong>, traverso
\nOlivier Brault<\/strong>, violon
\nJennifer Thiessen<\/strong>, alto
\nKaren Kaderavek<\/strong>, violoncelle
\nHank Knox<\/strong>, clavecin<\/p>\n

Ecoutez un extrait de l\u2019op\u00e9ra
\nhttps:\/\/soundcloud.com\/notturna\/ouverture-amant-jaloux-1<\/a><\/p>\n

Le samedi 20 avril 2013 \u00e0 20 h
\nChappelle Notre-Dame-de-Bon-Secours<\/strong>
\n400, rue Saint-Paul Est, Montr\u00e9al QC<\/p>\n

Entr\u00e9 20$, \u00e9tudiants 15$
\nBillets \u00e0 l\u2019entr\u00e9e ou r\u00e9servez au 514.278.3227<\/strong>
\nwww.notturna.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

L’Amant jaloux d\u2019Andr\u00e9-Ernest-Modeste Gr\u00e9try (1741-1813) connaissait un v\u00e9ritable engouement \u00e0 son \u00e9poque. 23e op\u00e9ra du compositeur belge, L\u2019Amant jaloux respire le style italien classique d\u2019un jeune Mozart. Notre repr\u00e9sentation de cet op\u00e9ra\u00a0est sous forme \u00abconcentr\u00e9e\u00bb, dans un arrangement de l\u2019\u00e9poque pour fl\u00fbte, hautbois, violon, alto et basse. Color\u00e9 et techniquement brillant,\u00a0cette transcription reste enti\u00e8rement convaincant […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-14507","post","type-post","status-publish","format-standard","hentry","category-actualite","entry"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/14507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=14507"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/14507\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=14507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=14507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=14507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}