![\"\"](\"http:\/\/www.tedpublications.com\/fr\/wp-content\/uploads\/2012\/10\/marie_nicole_lemieux_23_10_2012.jpg\" "\\"marie_nicole_lemieux_23_10_2012\\"")
<\/a><\/p>\nMARIE-NICOLE LEMIEUX<\/strong> Voici associ\u00e9s deux tr\u00e9sors de notre sc\u00e8ne classique\u2009: la contralto Marie-Nicole Lemieux<\/strong> et les Violons du Roy<\/strong>, dirig\u00e9s par Bernard Labadie<\/strong>. Le pr\u00e9sent programme, enregistr\u00e9 au Palais Montcalm en septembre\u00a02010, avait \u00e9t\u00e9 pr\u00e9sent\u00e9 en concert \u00e0 la m\u00eame \u00e9poque et figur\u00e9 parmi les grands concerts de l\u2019ann\u00e9e. Il convient tout d\u2019abord de remarquer l\u2019exposition internationale croissante des Violons du Roy<\/strong>, qui enregistrent pour ATMA<\/strong>, mais aussi d\u00e9sormais pour Virgin<\/strong>, Na\u00efve<\/strong> et bient\u00f4t pour Hyperion<\/strong> (avec Marc-Andr\u00e9 Hamelin<\/strong>). Le pr\u00e9sent programme est constitu\u00e9 d\u2019impressionnants airs de bravoure de la fin du XVIIIe<\/sup>\u00a0si\u00e8cle. Afin d\u2019\u00e9viter le trop plein \u2013\u2009d\u2019autant que Lemieux<\/strong> paie de sa personne, avec un engagement forcen\u00e9\u2009\u2013, le r\u00e9cital est habilement ponctu\u00e9 de plages de r\u00e9pit, dont le sublime Che far\u00f2 senza Euridice de L\u2019Orfeo <\/em>de Gluck<\/strong>. L\u2019accompagnement de Labadie<\/strong> \u00e9pouse parfaitement une voix superlative, dans une esth\u00e9tique rigoureuse, tr\u00e8s clairement baroque.<\/p>\n Marie-Nicole Lemieux:<\/strong> http:\/\/marienicolelemieux.com<\/a> MARIE-NICOLE LEMIEUX Les Violons du Roy, Bernard Labadie Airs d\u2019op\u00e9ras de Gluck, Graun, Mozart et Haydn Na\u00efve, V\u00a05264 Voici associ\u00e9s deux tr\u00e9sors de notre sc\u00e8ne classique\u2009: la contralto Marie-Nicole Lemieux et les Violons du Roy, dirig\u00e9s par Bernard Labadie. Le pr\u00e9sent programme, enregistr\u00e9 au Palais Montcalm en septembre\u00a02010, avait \u00e9t\u00e9 pr\u00e9sent\u00e9 en concert \u00e0 la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57,39,53],"tags":[606,607,608,609,610,611,612,532,613,614],"class_list":["post-12604","post","type-post","status-publish","format-standard","hentry","category-haute-fidelite","category-actualite","category-rythme-et-musique","tag-andre-hamelin","tag-atma","tag-bernard-labadie","tag-gluck","tag-hyperion","tag-lemieux","tag-marie-nicole-lemieux","tag-naive","tag-violons-du-roy","tag-virgin","entry"],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/12604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/comments?post=12604"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/posts\/12604\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/media?parent=12604"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/categories?post=12604"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/fr\/wp-json\/wp\/v2\/tags?post=12604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nLes Violons du Roy, Bernard Labadie
\nAirs d\u2019op\u00e9ras de Gluck, Graun, Mozart et Haydn<\/em>
\nNa\u00efve<\/strong>, V\u00a05264<\/p>\n
\nLes violons du Roy:<\/strong> http:\/\/www.violonsduroy.com<\/a>
\nna\u00efve:<\/strong> www.naive.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"