{"id":19124,"date":"2016-04-28T16:25:31","date_gmt":"2016-04-28T20:25:31","guid":{"rendered":"http:\/\/www.tedpublications.com\/en\/?p=19124"},"modified":"2016-04-28T16:44:26","modified_gmt":"2016-04-28T20:44:26","slug":"amphion-presents-the-new-bookshelf-argon3s","status":"publish","type":"post","link":"https:\/\/www.tedpublications.com\/en\/?p=19124","title":{"rendered":"Amphion presents the new bookshelf Argon3S"},"content":{"rendered":"

The new bookshelf Argon3S is based on the highly-acclaimed Argon3. Performance is further enhanced by incorporating award-winning professional studio technology with solid audiophile roots.
\n<\/em>
\nFinland, April 28, 2016<\/strong>\u00a0– Finnish\u00a0loudspeaker manufacturer Amphion Loudspeakers<\/strong> officially launched its passive studio monitors line at the NAMM<\/strong> show in January 2015. Back then the most common comment was \u201cNo one buys passive speakers in today\u2019s studios.<\/em>\u201d A year later, Amphion<\/strong>\u2019s passive radiator loaded,\u00a0dispersion controlled studio monitors have already created a major buzz within the professional audio community. Some\u00a0of the world\u2019s top sound engineers have installed them in their studios, trusting Amphion<\/strong>‘s neutral and detailed\u00a0yet musical sound.\u00a0In addition to the widespread user interest, Amphion<\/strong> received a TEC Award nomination<\/strong>, considered to be the most prestigious award in professional audio technology.<\/p>\n

\"argon_3S_black_pbr_w_withe\"<\/a>
\nAmphion<\/strong> never believed that speakers used for listening to music should be any different from the ones used for making it. This is the reason why the company’s home audio line allows a seasoned music lover to enjoy the same qualities, which allow music making professionals to \u201csee” deeper into their music. The newly introduced Argon3S<\/em> follows the same concept, bringing studio sound quality to home environment.<\/p>\n

Argon3S<\/em> keeps the strong suits of Amphion<\/strong>‘s popular bookshelf speaker Argon3<\/em>, while incorporating the passive radiator and crossover technology from the studio monitors. With this technological fusion the sound quality and emotional involvement are raised to a completely new level. By removing the widely known problems associated with vented boxes Argon3S<\/em> provides home audio enthusiasts an unprecedented naturalness, musicality, precision and detail, which used to be reserved only for professional recording and mastering studios.<\/p>\n

\"argon_3S_black_pbr_w_03\"<\/a>
\nThe passive radiator technology that Argon3S<\/em> utilizes, ensures increased midrange clarity and tight, tuneful, low-reaching bass, which traditionally are available only from large closed enclosures. Argon3S<\/em> is not an overly neutral, sterile monitor, as final voicing is\u00a0intended to bring maximum joy from your favorite recordings. Argento<\/em> binding posts, along with silver plated pure copper internal wiring establish a flawless signal transfer.<\/p>\n

One of the most distinguishing features of Argon3S<\/em>, as well as all the other Argon<\/em> and Helium<\/em> models, is that you can fully enjoy optimal sound quality even when you are not sitting in the sweet spot. The controlled, wide even dispersion in the Amphions <\/strong>makes multiple Grammy Award <\/strong>winning mixing engineer Dave Reitzas<\/strong> (Madonna<\/strong>, Celine Dion<\/strong>, Seal<\/strong>, Michael Buble<\/strong>, Fifty Shades of Grey<\/strong>) say: “The whole room is a sweet spot.<\/em>”<\/p>\n

http:\/\/www.amphion.fi\/<\/a>
\n<\/strong>For information, in Canada\u00a0:
\nhttp:\/\/www.vmax-services.com\/<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The new bookshelf Argon3S is based on the highly-acclaimed Argon3. Performance is further enhanced by incorporating award-winning professional studio technology with solid audiophile roots. Finland, April 28, 2016\u00a0– Finnish\u00a0loudspeaker manufacturer Amphion Loudspeakers officially launched its passive studio monitors line at the NAMM show in January 2015. Back then the most common comment was \u201cNo one […]<\/p>\n","protected":false},"author":22,"featured_media":19125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,21,10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=\/wp\/v2\/posts\/19124"}],"collection":[{"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19124"}],"version-history":[{"count":0,"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=\/wp\/v2\/posts\/19124\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=\/wp\/v2\/media\/19125"}],"wp:attachment":[{"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tedpublications.com\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}